Film review: Midsommar

It was the New Yorker Ari Aster delivered 2018 with Hereditary , a unique and highly successful contribution to the horror genre. It was a tragedy for a family. The horror film unfolded through expert …

It was the New Yorker Ari Aster delivered 2018 with Hereditary , a unique and highly successful contribution to the horror genre. It was a tragedy for a family. The horror film unfolded through expert storytelling and stagecraft an unsettling terror that, even if it didn’t contain supernatural elements, would have all of its shocking morbidity. So my expectations of Aster’s most recent film Midsommar Midsommar were exceptionally high. The trailer promised a disturbing cinematic experience that tells the story of an unlucky person who finds himself trapped by an insane cult. Aster tells this tale excellently, very skillfully, and with superbly directed. One that I wasn’t sure about was The comedy!


Following the death of her younger sister, university student Dani (Florence Pugh) confronts the devastation that her entire life has become. In a state of shock from the loss of her whole family falls ever deeper into depression and is afflicted with anxiety attacks. Dani’s loss and psychological decline caused a strain on their relationship with her husband, Christian (Jack Raynor). The other characters see him being emotionally abused by Dani and want Christian to break up with her. But Christian doesn’t want to quit, so he makes an offer to Dani and hopes that his girlfriend will not accept to join the group on an excursion to Sweden, which will last for a few weeks. Christian’s other student, Pelle, is inviting the group to participate in the summer solstice celebrations in his village. When Dani is astonished to accept, and the group finally arrives in Halsingland, the students realize that the grumpy all-white members of the community are not as calm as they initially appear…


In Midsommar, Director Ari Aster tries an experiment to see if horror can be effective in bright daylight and a bright setting. The answer, unfortunately, isn’t as easy to answer. The reason is that Midsommar is one of the most stunning images I’ve seen for a long time. And is accompanied by unapologetic brutality and a precise depiction of violence that only a handful of films can show. In the horror genre, you’ll have to look all day long to find something similar. The reason is that the swells of violence featured in Midsommar are not exaggerated and are always painfully close to the real world. However, some instances are so bizarre that I’m not sure if they are disturbing or trigger joyous laughter. We’ll get to that in the future, but for now!

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Midsommar and Hereditary are two different films when it comes to the way they are staged and presented, yet they share a similar character trait in their story. Both feature an unsettling family tragedy and an enigmatic cult seeking to eat the grieving. Ari Aster takes pains to convey the grief that the protagonist is experiencing to the audience and takes a lot of time to convey the emotion. The story of Dani’s family is gradually built up. The cleverly placed tracking shots and the eerie sound effects of the score make for a genuinely uncomfortable mood and culminate with an urgent phone call from the main character. The first ten seconds of Midsommar, I was fascinated with their overwhelming sensation. The sequence leading to the journey to Sweden also stands out visually from the remainder of the movie. The sets are extremely darkly lit, the colors are saturated, and it appears like there’s some sort of light mist in the scene. Anyone who has watched the fantastic The Followers can understand the effect I’m talking about. The characters are all to be gloomy and pale. It could be Dani or Chris, who cannot assist Dani and is slipping deeper into anxiety and despair. Then there’s Chris, who in Chris his group of friends expresses an unease since they’re not excited about Dani. This is the case when the commune begins to take shape.

From the moment the student group arrives at this festival at Halsingland, The film shifts its tone. Colors are bolder, characters are more eccentric, and an incredible sense of humor is afoot. The mushrooms and the characters’ hilarious reactions to their appearance are added. Oneliners are sung through the ears, with great looks and screaming. The extraordinary individuals of this sect perform the rest. It’s not a lie that Midsommar does not turn into an eerie comedy. There are still some dark aspects to be found. One issue: occasionally, Ari Aster directs certain things to be frightening, but they are so bizarre and exaggerated that you need to laugh loudly in certain places. In the show’s final scene, the theater was filled with laughter, but I’m unable to determine if it was intended.

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Midsommaryou’re creating this simple! Ari Aster’s next feature, unfortunately to me, is not quite at the terror levels of Hereditary. The basic elements are in place. The sound and camera are both excellent. The performance of the cast is convincing throughout. I wouldn’t have an issue with the comedy if I didn’t think it was somewhat unintentional, particularly towards the end, although it doesn’t quite reach the level as The Wicker Man remake starring Nicolas Cage. But, I had enjoyment in Midsommar and believe it will remain in my favor after several watchings.

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